Can you introduce yourself ?
I attended California State University Long Beach where
I expanded on my previous education at Compton College in mechanical
drawing. I left CSULB to pursue a professional career in graphic design.
Moving to New York City in the mid-seventies I found a racial barrier
that kept me from finding work in my field and I retreated to service
typography for a few years.
In 1979 Rolling
Stone hired me as their staff Typographer and my career blossomed.
Rolling Stone the first time around with Mary Shannahan/Bea Feitler/Christopher
Austopchuk and a lengthy reprise with Fred Woodward/Gail Anderson. Rolling
Stone was good to me for a long time.
After I quit Rolling
Stone, I returned to my lettering business which turned digital
in 1988 after a major fright from Jonathan Hoefler (he was too good.
so good he was scary!).
I thought going 100% digital would be the best, if not the only way
to go. Unfortunately, every year I make less money and it seems that
this trend is not changing soon.
Siynn bar-Diyonn ?
This is the name I took when I converted to Judaism.
I write under the name Siynn bar-Diyonn, a profession in which I hope
to immerse myself once I manage to kick type design to the curb.
Why have you decided to design typefaces ?
Of all the things that I can draw, typefaces
are the simplest and easiest.
Where does your inspiration come from ?
I am a true commercial artist, and as such, I am motivated
by money. No, make that income. Sounds better.
On what project are you working today ? And in the
next future ?
I
am creating a series of fonts for Elle Magazine and I have begun a project
for Hadassah: The Womens Zionist Organization. I am lucky to have
two good assignments as work has been difficult to come by since Sepember
11th.
Can you tell us more about your market ?
The
bulk of my income comes from custom fonts and logos, covers and feature
titles for publications. Although I market over 100 fonts worldwide
I make next to nothing on sales: less than $1000/year).
You create Hebrew typefaces. Is it a different art than creating latin
typefaces ?
Hebrew
is confined to certain rules passed down through the ages. The way the
letters are drawn, the way they are assembled as well as nuances in
the structure of certain letters make Hebrew stand out for its archaeological
and cultural past. Besides, Hebrew is the Language that God spoke. Tough
endorsement to beat.

Related article: Signpainter
typeface portrait (November 2002).
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